At the time, the story lines had not yet become vivid, the true significance of what was unfolding not yet clear. The term “The Four Kings” had yet to be coined, and Thomas Hearns, who would come to be defined by the two great defeats in his career more than anything else, was not yet a legend but merely one of the best and most exciting fighters in the world. Since his defeat to Sugar Ray Leonard in 1981 he had rebounded to win six in a row, including a decision over Wilfred Benitez for his second world title. And with Leonard retired, talk of a Hagler vs Hearns battle, a clash between arguably the two finest champions in the game, continued to rise in volume.
But while a showdown between Hearns and Hagler could have easily sold itself, the match-up lacked drama, a compelling storyline, that sense of inevitability which makes a prizefight an event. It hadn’t ripened into the clash which everyone, boxing fans and casual sports fans alike, couldn’t wait to see.
Enter Roberto Duran. The Panamanian legend, who had redeemed himself for the disgrace of his surrender to Leonard back in 1980, provided the impetus and the intrigue for what would become a legendary “superfight.” Without “Manos de Piedra’s” supporting role, the drama that was Hagler vs Hearns would never have captured the public’s imagination.
It was Duran’s showing against Hagler the previous November which made his match with Hearns viable. A huge underdog to Marvelous Marvin, the smaller Duran impressed by not only being the first of Hagler’s challengers to hear the final bell, but by also giving “Marvelous Marvin” a surprisingly competitive fight. Hagler took the decision over the former lightweight champion, but the victory did nothing to enhance his stature. It was that rare instance where the loser of a fight earned greater respect than the winner.
Hearns vs Duran represented a huge opportunity for both boxers, but in fact only one was prepared to take full advantage. Following his inspired victory over Davey Moore and his valiant effort against Hagler, Duran was riding high again, his reputation restored after the disgrace of “No Mas” two years before. But as in that ignoble defeat, his performance against Hearns inside the ring would be compromised by a lack of discipline outside of it.
After his big win over Moore and his big payday from the Hagler bout, Roberto the party animal re-emerged with a vengeance. In a mood to celebrate after months of training and restraint, Duran hired his own personal orchestra to tour with him around Latin America so he could dance and sing and carouse night after night. The adulation of his fans, made more ardent for his having been lost and now found, went to his head, and all the whiskey and filet mignon to his belly. Reportedly, Duran entered training camp for the Hearns fight with great reluctance, and once there had to focus on losing weight more than anything else.
In stark contrast, Hearns had perhaps the best camp of his entire career. Indeed, Emanuel Steward ranked it as such years later. “We had the best preparation in the world,” he told author Pete Hamill. That year Steward was involved in helping to prepare the U.S. boxing team for the Olympics and so Hearns found himself working with such elite talents as Mark Breland, Pernell Whitaker and Frank Tate, along with world champions Milton McCrory and Mike McCallum. “It must have been one of the best camps in boxing history,” said Steward.
The Hit Man. Painting by Damien Burton
Thus, in retrospect, what transpired on that June night in Las Vegas isn’t so shocking. But at the time, it was, for one simple fact: no one, not even a deadly puncher like “The Hit Man,” knocks out Roberto Duran. It had never happened before; no one expected it to happen now.
In truth, the Panamanian was renowned for his toughness and he had never come close to being stopped. But then again, he had never before faced a boxer with the unique gifts of Thomas Hearns, who knew how to make the most of his lanky frame and the leverage it could provide. Despite having scored just two stoppage wins in six contests since his defeat to Leonard in 1981, Hearns appeared extraordinarily confident in the days leading up to the match and in fact he openly predicted he would knock out the great “Manos de Piedra” in two rounds.
And so he did, in part because Hearns and Duran were at diametrically opposed positions on the arcs of their respective careers. Duran, at 33, came into the ring past his peak and something less than highly motivated, while Hearns, just 25, was primed and arguably never sharper. From the opening bell, “The Hitman” took control, backing the smaller man up with aggressive footwork and a hard left jab, making excellent use of his 12 inch reach advantage. Generally a slow starter, Duran looked to take his time and find his rhythm but the taller, stronger, more assertive Hearns never gave him a chance.
With a minute left in the opener Hearns struck with two hard rights and chased Duran into the ropes. While the clearly uncomfortable Panamanian smiled and mugged, Hearns stalked and threw heavy punches with abandon, opening a cut over Roberto’s left eye. All in all, it was a disheartening opening round for Roberto and his fans, but it was about to get worse.
Forcing Duran to retreat, Hearns got home a hard right to the head followed by a left to the body, and the combination clearly shook the smiling Panamanian. A jab to the belly landed flush and a second one brought Roberto’s hands down to parry it. Anticipating the opening, Hearns immediately smashed Duran on the jaw with a vicious straight right that floored the former lightweight terror for only the third time in his long career.
Duran beat the count but his body language and facial expression told everyone he was in deep trouble. His legs were gone, a fact confirmed when he tumbled to the canvas a second time as Hearns threw a relentless torrent of punches. Roberto rose again and, saved from further punishment by the bell, provided a comic image as he waved defiantly at Hearns while marching on unsteady pins to the wrong corner.
Round two saw the fulfilment of Hearns’ prediction. Give Duran credit: he bravely stood his ground with his bigger, stronger and more powerful foe, even throwing a few right hands with bad intentions in an effort to turn things around. But in addition to heart and courage, Duran was known for his defensive talent and against Hearns, this was absent. Instead of protecting his chin and working from a crouch with upper body and head movement, Duran stood straight up, his jaw a target Tommy couldn’t miss.
Thirty seconds into the round and the Panamanian legend was hurt again and being swarmed by “The Hit Man.” Another right hand buckled Duran’s legs and pinned him to the ropes and when Roberto tried to rush Hearns and force him back, he found himself eating more leather. Dazed and looking to avoid further punishment, Duran briefly clinched before backing into perfect punching range for Hearns. What followed was one of the single most devastating right hand missiles ever thrown by “The Motor City Cobra.” It crashed on the side of Roberto’s jaw and the triple-crown champion who had never come close to being stopped in his entire career, instantly went limp and collapsed face first to the canvas. The same fighter who had defeated Sugar Ray Leonard and battled for fifteen rounds with Marvelous Marvin was rendered helpless by Hearns in just four minutes.
The shocking victory instantly revitalized Hearns’ faded aura of menace, his past image as a powerful knockout artist. It also transformed a prospective Thomas “Hit Man” Hearns vs Marvelous Marvin Hagler contest from a major attraction, to the fight absolutely everyone wanted to see. Roberto Duran had fulfilled his assigned role and in back-to-back contests made the Hagler vs Hearns match supremely viable and profitable. The drums were beating in earnest for boxing’s next big superfight and Hearns wasted no time in throwing down the gauntlet.
“I challenge Marvin Hagler,” said Tommy immediately after his huge win. “I can see him in my mind now, shaking like a leaf on a tree.”
— Michael Carbert
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